0.30 The baroque period (1600-1750)  (Page 3/2)

The baroque period (1600-1750)

The Baroque period was anticipated before 1600, although that date remains as a convenient marker for the start of the period. It is a period of dramatic expression, of a vigorous, highly ornamented art. An era of absolute monarchies, each court had its own group of musicians, both vocal and instrumental.

The Doctrine of Affections of the Baroque relates to the portrayal of emotions through music. A recognized musical vocabulary expressed certain emotions. Within this overall context, composers used musical techniques to vividly describe the meaning of the words. Rising passages are found at words such as "resurrection," "heaven," etc. Descending passages were used for such phrases as "to the depths" and "descended into hell."

It was also a period of scientific discovery and reasoning. New findings in the sciences were vitally important to knowledge on the continent. Although we are usually concerned with Baroque music of the continent, it was during this period that the settlement of the New World began.

Rhythmic energy, coupled with a strong melodic thrust, makes performances of Baroque music appealing and satisfying to musicians, both amateur and professional.

Characteristics of Baroque choral music include:

1. Vertical structure rather than linear

2. Major-minor tonality established

3. Figured bass

4. Outer voice polarity—soprano melody over a figured bass

5. New counterpoint—subordinate to the harmony

6. Concertato style important

7. Terraced dynamics

8. Instruments influenced texture

9. Form determined by musical considerations

10. Doctrine of Affections

11. Virtuosity and improvisation are important elements

12. Steady pulsating rhythm—barlines introduced

Although 1600 is generally acknowledged as the beginning of the Baroque period, Renaissance characteristics are found long after that. The two styles, stile antico and stile moderno existed side by side, particularly in the early Baroque. Composers often wrote in both styles; consequently, a conductor must look beyond the name and dates of a composer to determine the style of the music.

Rhythm and tempo

Music became metered during the Baroque period and the barline was used with regularity. A certain rhythmic drive is found in repertoire of this period. A crisp, very clean articulation is necessary to bring about a successful performance of much of the music.

There are several rhythmic practices that are generally considered as correct interpretations of Baroque music. One is the technique of extending the duration of dotted notes, shortening the duration of the note that follows. This is more true of the French style. will be performed as